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Showing posts with label Audio Projects. Show all posts
Showing posts with label Audio Projects. Show all posts

Audio Level Threshold Control

This circuit was originally designed for use in detecting discharges from individual neurons, where the infrequent discharges are difficult to separate from dominant background noise. It may also prove useful in other applications that need to detect infrequent low-level audio signals against a noisy background. The audio input signal is buffered by op amp IC1 before being applied to the opposing inputs of comparators IC4 & IC5. Positive and negative offset voltages are generated by VR1 and IC2 and fed to the other two inputs of the comparators. Essentially, the comparators act to produce a negative voltage at their commoned outputs (C) whenever the audio signal exceeds either the positive or negative offset voltage.
Circuit diagram:
audio-level-threshold-control-circuit-diagramw
The signal at "C" is inverted by transistor Q1 to produce "D". These two signals are used to control a pair of CMOS switches (S1 & S2), which either pass the audio signal to the output or short it to ground. The signal from the CMOS switches is buffered by IC3, which in conjunction with the 10kΩ resistor and 10nF capacitor filters out the switching artefacts. In practice, the offset voltage is adjusted until there is little or no breakthrough of the noise background at the output. Thereafter, only audio signals exceeding the threshold are passed. Inevitably, this produces some crossover distortion but this is of little consequence compared with the benefit of the quiet background.
Author: Graham Jackman - Copyright: Silicon Chip Electronics

Dual Input-Combining Stereo Line Amplifier

This circuit takes two separate line-level stereo (L & R) signals and combines them into one stereo (L & R) output, thus avoiding the need to switch between two pairs of input signals. In the author’s application, it is used to feed the stereo audio from a TV receiver and a DVD player into an external amplifier. The need for the circuit arose because of a design peculiarity in the TV receiver. The TV has four A/V inputs and one A/V output. AV1-AV3 accept composite or S-video plus stereo audio inputs and these feed into the TV’s A/V output. AV4 accepts Component video (Y/Pb/Pr) plus stereo audio but unlike AV1-AV3, its audio (and video) signals are not fed to the TV A/V output. The Y/Pb/Pr input was chosen for use with the DVD player because of its superior video quality, while the audio was to be fed to an external amplifier for improved reproduction.
Circuit diagram:
stereo-line-amplifier-circuit-diagram
However, manual switching was inconvenient, hence the genesis of this design. In use, the DVD player audio is fed in parallel to TV AV4 and to one input pair of the combining amplifier, while the TV audio output feeds the other input pair. The amplifier output goes to the external audio amplifier. There is no conflict between the two audio inputs because when AV4 (DVD player) is selected, there is no TV audio output. In all other modes, the DVD player is off. As shown, the circuit has a voltage gain of 1.5 times (3.5dB) but this can be altered as required by changing the two 15kW resistors. Input impedance is 10kW and the outputs are isolated from cable and amplifier input capacitance with 47W series resistors. The circuit can be powered from a regulated 12V DC plugpack.
Author: Garth Jenkinson - Copyright: Silicon Chip Electronics

Multi-Melody Generator With Instrumental Effect

This melody generator can generate various English and Hindi tunes as also instrumental effects. Various modes of melodies can be selected through DIP switches. Other advantages are high volume and volume control. IC UM3481A is a 16-pin multi-instrument melody generator. It is a mask-ROM-programmed IC designed to play the melody according to the programmed data. Its inbuilt preamplifier provides a simple interface to the driver circuit. The IC can be replaced with other UM348XXX series, WR630173 or WE4822 melody generator ICs. A WR630173 preprogrammed as Hindi melody generator can be used here. There are 16 tunes stored in WR630173 including mera joota hai japani, mera naam chin chin chu, hare rama hare krishna, raghu pati raghav raja ram and ramaiya vasta vaiya. The circuit is powered by a 3V battery.

Multi-Melody Generator With Instrumental Effect Circuit Diagram
Switch S2 is the main input-select switch for producing different tones in the loudspeaker. Various modes of operation are selected through DIP switches S3, S4 and S5 connected to pins 3, 5 and 7 of IC1, respectively. Pin 7 is the envelope circuit terminal through which instrumental effects are produced.The preamplifier outputs are available at pins 10 and 11, which are fed to loudspeaker-driver transistors T1 (SK100) and T2 (SL100), respectively. When you switch on the circuit by closing switch S1, LED1 glows. If DIP switches S3 and S5 are closed and S4 open, pressing input switch S2 will generate a melody tone from the loudspeaker. Vary VR1 to adjust its volume. Pressing S2 again will generate a new melody tone. If switches S3 and S4 are opened while S5 is closed, the same tone keeps repeating for every pressing of S2. The positions of DIP switches and the various modes of melodies are summarised in the table. When switch S5 is open, it will generate an instrumental effect from the loudspeaker.
Multi-Melody Generator With Instrumental Effect
This effect is produced by the enveloping circuit consisting of capacitor C1 and resistor R2 connected to pin 7 of IC1. In fact, by hit and trial you can choose the values of these components as per your taste by listening to the output sound. Only C1 or R2 or its parallel combination can be used to generate a distinct instrument effect. To select any of these options, two jumper terminals J1 and J2 are provided in the circuit at C1 and R2, respectively. For example, if you want to use only C1, you can join J1 terminals using hookup wire or jumper cap and keep J2 open. The repetition of the musical effect depends on the status of switches S3 and S4. The oscillation frequency is produced by the resistor and capacitor connected at pins 14 and 13 of IC1. This frequency is used as a time base for the tone, rhythm and tempo generators. The quality of the melody tones depends on this frequency. Resistor R6 (100-kilo-ohm) connected to pin 15 makes the circuit insensitive to variations in the power supply.
Author: EFY Lab - Copyright: Electronics For You

Six-LED Bar Audio Power Indicator

Useful to monitor audio power delivered to loudspeakers No power supply no setup required

This device, connected to the loudspeaker output of an audio amplifier, will indicate the instantaneous output power delivered to the loudspeaker(s) by means of six LEDs illuminating one after another by voltage values increasing little by little, providing the visual impression of a luminous bar or column, increasing and decreasing in height following the increase and decrease of the signal's level.

The input signal is first rectified by D1 and then sent to six different voltage dividers, one for each LED. In this way, the indication provided by the LEDs illumination of this "Power Display", will be related to the instantaneous power sunk by the whole loudspeaker cabinet.

Six output power levels are displayed by the LEDs in a 2W - 80W range (no setup required). Each nominal power level indication into 8 Ohms load is reached when the respective LED illuminates at full brightness.

Circuit Diagram:

Six-LED Bar Power Indicator Circuit diagram Six-LED Bar Audio Power Indicator Circuit Diagram

Parts Description
R1 220R 1/2W Resistor
R2,R5,R6,R8 100R 1/4W Resistors
R10,R12,R14 100R 1/4W Resistors
R3 220R 1/4W Resistor
R4,R7 330R 1/2W Resistors
R9 560R 1/2W Resistor
R11 820R 1/2W Resistor
R13 1K2 1/2W Resistor
D1 1N4004 400V 1A Diode
D2,D4,D6 BZX79C2V7 2.7V 500mW Zener Diodes
D3,D5,D7,D8,D9,D10 Red LEDs (Any dimension and shape) (See Notes)
Notes:
  • The output power indicated by each LED must be doubled when 4 Ohms loads are driven.
  • The circuit can be adapted to suit less powerful amplifiers by reducing the number of LEDs and related voltage dividers.
  • LEDs of any dimension can be used, but rectangular shaped devices will be more suitable to be compacted in bars or columns.
  • For a stereo amplifier, two identical circuits are required.

Source : www.redcircuits.com

Hi-Fi Headphone Amplifier

Contributed by Richard Crowley (Additional Notes by Rod Elliott

This design for a headphone amplifier arose after the purchase of commercial equipment with separate pre and power amplifiers without a headphone output.

It is based on designs for a headphone amplifier by John Linsley-Hood, and an active volume control, using a linear pot, by Doug Self (the "pot" circuit was originally designed by P.J. Baxandall), both published in Electronics and Wireless World in recent years.

Its advantages are ...

  • ow output impedance to drive several pairs of phones
  • the active gain stage is, almost, perfectly logarithmic and ...
    • is independent of the absolute value of the pot
    • has excellent channel tracking
    • the O/P noise reduces with gain reduction.
  • Description

    The intention is to permanently insert the headphone amp between pre and power amps, although it can be used as a stand-alone item. The input relay is operated by auxiliary contacts on the headphone sockets through a transistor driver (with a small delay) so as to mute the power amp input when listening on headphones.

    The relay contact arrangement enabling it (the headphone amp) to be left switched off when normally not in use. The relay is a high quality, sealed, gold plated contact, TQ signal switching type, reputedly with a very long life expectancy.

    The gain control being used to pre-set the gain so that the pre-amp's gain control is normally used for setting the listening level.

    Hi-Fi Headphone Amplifier Figure 1 - The Headphone Amp Circuit

    One channel only is shown, so two units are required for stereo. The gain control pot must be a dual-gang linear type, as the circuit configuration provides the logarithmic law required. This is similar to the circuit shown in Project 01 (except that this version provides a useful reduction of noise). A value of 47k or 100k should be fine in this circuit. Diodes should be 1N4148.

    The first stage is a conventional series feedback circuit using the ubiquitous NE5534, the gain being set by the feedback AOT (adjust on test) resistor to suit individual needs, this stage provides the necessary low impedance output for the variable gain stage. The resistor/ capacitor networks around the input stage may seem a little extravagant, but are necessary to reduce any possible RF pickup especially the 470 pF between the two IC + and - inputs.

    The complete second stage consists of a zero gain follower, an inverting gain stage and the output emitter followers, 'volume control' gain being set around these three stages. The x10 gain of the inverting stage gives the closest approach to a logarithmic law, stability being ensured by the 27pf capacitor in this stage's feedback. The output complementary pair runs in Class-A at about 80 mA and should be mounted on a small heatsink.

    Dissipation is about 1.8 Watts for each device, and they must be isolated from the heatsink with mica washers and mounting bushes to prevent short-circuiting the power supply (the collectors are connected to the case). Make sure that heat-conducting paste is used, or use sil-pads for mounting - these require no thermal compound and are very convenient for low power operation.

    Figure 2 - Alternative Relay Driver, and Component Pinouts Figure 2 - Alternative Relay Driver, and Component Pinouts

    The OPA2604 was chosen because its high, FET based, input impedance provides better DC conditions for setting the O/P at 0V DC than the NE5532 alternative, its low output impedance has no problems in driving difficult loads, but it is still relatively cheap.

    The power supply is a fairly conventional split variety, the regulated O/Ps feeding the ICs - note the decoupling arrangements - and the 22V pre-regulated supply feeding the O/P transistors, the relay supply being rectified and regulated separately for the necessary isolation, separate signal and supply star earthing being essential

    Power  Supply Figure 3 - Power Supply

    The output jack sockets, with independent changeover contacts, are obtainable from Maplin Electronics and have proved extremely reliable over many years of regular use. If these are not obtainable a circuit is included for use with conventional break contact jack sockets.The LED series resistors will need to supply a current of about 7.5mA, so 2.2k should be used. Diodes for the supply should be 1N4004 or equivalent.

    If desired, the 12V regulator may be dispensed with, and suitable value resistors placed in series with each relay coil to retain the correct operating voltage. It is the constructor's responsibility to determine the value of these, as the relay current cannot be predicted as there are so many different types available. Use of 15V relays is also possible, if available.

    If this arrangement is used, a slight amount of noise may be introduced as the relay operates, because of the sudden application (or removal) of the additional load. It is not expected that this would be a problem in use.

    My thanks to Richard for submitting this circuit - it is sure to provide a very high sound quality, and is not overly complex. The active gain control (originally designed by Peter Baxandall) is very effective.

    As always, resistors should be 1% metal film types for all signal paths. Their use in the power supply and relay circuits is not necessary, but will not do any harm, either.

    Source:www.sound.westhost.com

    Mini Portable Guitar Amplifier

    Can be fitted into a packet of cigarettes Also suitable as Fuzz-box

    This small amplifier was intended to be used in conjunction with an electric guitar to do some low power monitoring, mainly for practice, either via an incorporated small loudspeaker or headphones.

    The complete circuit, loudspeaker, batteries, input and output jacks can be encased in a small box having the dimensions of a packet of cigarettes, or it could be fitted also into a real packet of cigarettes like some ready-made units available on the market.

    Circuit diagram:

    MiniGuitarAmp Mini Portable Guitar Amplifier Circuit Diagram

    Parts Description
    R1 22K 1/4W Resistor
    C1 10µF 25V Electrolytic Capacitor
    C2 100nF 63V Polyester or Ceramic Capacitor
    C3 220µF 25V Electrolytic Capacito
    IC1 TDA7052 Audio power amplifier IC
    J1,J2 6.3mm Stereo Jack sockets (switched)
    SPKR 8 Ohm Loudspeaker (See Notes)
    B1 9V PP3 Battery or 3V Battery (2 x 1.5V AA, AAA Cells in series etc.)
    Clip for PP3 Battery or socket for 2 x 1.5V AA or AAA Cells

    This design can be used in three different ways:

    • Loudspeaker amplifier: when powered by a 9V alkaline battery it can deliver about 1.5W peak output power to the incorporated loudspeaker.
    • Headphone amplifier or low power loudspeaker amplifier: when powered by a 3V battery (2x1.5V cells) it can drive any headphone set type at a satisfactory output power level or deliver to the incorporated loudspeaker about 60mW of output power. This configuration is useful for saving battery costs.
    • Fuzz-box: when powered by a 3V battery (2x1.5V cells) and having its output connected to a guitar amplifier input the circuit will behave as a good Fuzz-box, showing an output square wave with marked rounded corners, typical of valve-circuits output when driven into saturation.

    Notes:

    • For the sake of simplicity and compactness, this unit employs a dual bridge IC amplifier and a few other parts. For the same reason no volume or tone controls are provided as it is supposed that the controls already existing on the electric guitar will serve satisfactorily to the purpose.
    • No power switch is used: the battery voltage will be applied to the circuit when the input plug will be inserted in the input jack socket J1. For this purpose be sure that the input plug is a common 1/4 inch guitar mono jack plug and J1 is a 1/4 inch stereo jack socket.
    • The output jack socket J2 must be a switched stereo type. The changeover switching is arranged in such a way that, when a common headphones stereo jack plug is inserted into the socket, the loudspeaker will be disabled and the mono output signal will drive both the headsets in series, allowing full headphone reproduction. When used as a Fuzz-box output, a mono jack plug must be inserted into J2.
    • If the amplifier is intended to be encased in a packet of cigarettes, standard loudspeaker diameter should be 57 or 50mm.

    Source:www.redcircuits.com

    Dual 20-Watt Audio Power Amplifier

    Overture Audio Power Amplifier Series Dual 20-Watt Audio Power Amplifier with Mute and Standby Modes

    The LM1876 is a stereo audio amplifier capable of delivering typically 20W per channel of continuous average output power into a 4 or 8 load with less than 0.1% THD+N.

    Each amplifier has an independent smooth transition fade-in/out mute and a power conserving standby mode which can be controlled by external logic.

    The performance of the LM1876, utilizing its Self Peak Instantaneous Temperature (°Ke) (SPiKe™) protection circuitry, places it in a class above discrete and hybrid amplifiers by providing an inherently, dynamically protected Safe Operating Area (SOA). SPiKe protection means that these parts are safeguarded at the output against overvoltage, undervoltage, overloads, including thermal runaway and instantaneous temperature peaks.

    Circuit Diagram

    Dual 20-Watt Audio Power Amplifier Dual 20-Watt Audio Power Amplifier Circuit Diagram

    Key Specification
    THD+N at 1kHz at 2 x 15W continuous average
    output power into 4 or 8: 0.1% (max)
    THD+N at 1kHz at continuous average
    output power of 2 x 20W into 8: 0.009% (typ)
    Standby current: 4.2mA (typ)

    Applications

  • High-end stereo TVs
  • Component stereo
  • Compact stereo

    Features

  • SPiKe protection
  • Minimal amount of external components necessary
  • Quiet fade-in/out mute mode
  • Standby-mode
  • Isolated 15-lead TO-220 package
  • Non-Isolated 15-lead TO-220 package
  • Wide supply range 20V - 64V

  • Optimised Semiconductor Noise Source

    We have already published designs that use a transistor junction operating in Zener breakdown as a noise source. Anyone who has experimented with a reverse-biased transistor knows that the amplitude of the noise voltage generated in this manner is strongly dependent on the supply voltage. The variation between individual transistors is also rather large. An obvious solution is to use an adjustable supply voltage for the noise generator stage. A BC547B starts to break down at around 8V.

    Circuit diagram :

    Optimised Semiconductor Noise Sourcew

    Optimised Semiconductor Noise Source Circuit Diagram

    Using P1 and R1, you can adjust the voltage across T1 and R2 between 8 and 12V. C3 decouples the reduced supply voltage. An impedance buffer in the form of T2 and R3 is added to the circuit, to prevent the connected load from affecting the noise source. This buffer is powered directly from the 12-V supply. To adjust this circuit, connect the output to an oscilloscope. Then adjust P1 to obtain the highest signal amplitude, combined with the best ‘shape’ of the noise signal. The output voltage is approximately 300mVpp, and the current consumption is around 2mA.

    Source : www.extremecircuits.net

    Stereo to Mono Converter Based on FET

    High quality portable unit, Suitable for Subwoofer amplifiers

    This simple circuit mixes two or more channels into one channel (e.g. stereo into mono). The circuit can mix as many or as few channels as you like and consume very little power. The mixer is shown with two inputs, but you can add as many as you want by just duplicating the "input sections" which are clearly visible on the schematic.

    Circuit Diagram:

    Stereo_to_Mono_Converter_Based_on_FETStereo to Mono Converter Based on FET

    Parts:

    P1 = 10K-50K Pot
    P2 = 10K-50K Pot
    R1 = 100K
    R2 = 100K
    R3 = 6.8K
    C1 = 0.1uF-25V
    C2 = 0.1uF-25V
    C3 = 0.1uF-25V
    Q1 = 2N3819 Junction FET
    J1 = Audio input sockets
    J2 = Audio input sockets

    Notes:

    • As many or as few channels as are required can be added to the mixer.
    • Do this by just duplicating the input "sections" which are clearly shown on the schematic.
    • One version of this mixer I saw had 18 inputs!
    • A shielded case is probably needed to reduce hum and help stop oscillations.
    • P1 and P2 are dual gang potentiometer for stereo version.
    • The circuit can be powered by a single 9 volt battery.

    Source : www.uashem.com

    Three Channel Audio Splitter

    Simple circuitry, Passive high-quality amplification and distribution

    This circuit is suitable to amplify and distribute the audio signals. The input audio signal is applied to the J1 and after passing through the P1, It is buffered and amplified by the IC1 prepared to redistribute. It has 3 outputs to drive 3 audio lines with 300 ohms impedance.

    Circuit Diagram:

    3-Channel Audio Splitter

    Three Channel Audio Splitter Circuit Diagram

    Parts:

    J1 = RCA Socket (See Notes)
    P1 = 100K-Potentiometre
    R* = 10K-100K
    R1 = 560K
    R2 = 1K
    R3 = 2.2K
    R4 = 2.7K
    R5 = 2.7K
    R6 = 330R
    R7 = 330R
    R8 = 330R
    C1 = 100uF-25V
    C2 = 100uF-25V
    C3 = 100uF-25V
    D1 = BZX79C18
    D2 = BZX79C18
    Q1 = BC337
    Q2 = BC327
    IC1 = NE5532-34

    Notes:

    • J1 will be RCA Audio input female socket.
    • R* is on your choice it can be choose between 10K to 100K resistor.
    • Output capacitor’s value is between 100uf to 470uf and power handling is 25V to 50V.
    • You can power up this circuit via +12V/-12V regulated supply but you have to remove following parts Q1-Q2-C2-C3-D1-D2.
    • Maximum power ratings +35V/-35V

    Source : www.extremecircuits.net